Saturday, September 15, 2012
Simple, clean portraits are so fun....
I photographed Federico, owner/director of an Actor's Troupe in San Francisco. I love a simple, clean image thats honest and telling. He was easy to photograph and very willing to open up to the lense, which is always a great way to shoot someone. I used one profoto head and an octabox, with a speedlight against a grey backdrop.
Friday, August 17, 2012
I shot an editorial assignment for Morris Communications a few weeks ago about Golden gate Park and De Young Museum. Its always cool to get assignments which take you to a far flung locale, but I must say this one was fun in my own backyard... I slowed down and smelled the beautiful coffee of SF and all the hidden gems in Golden Gate Park. Below are are a few images from the shoot.
Friday, July 6, 2012
Monday, June 4, 2012
A few images I shot while on the road for Travel Channel in Africa and Philippines.
Tuesday, May 8, 2012
Yoga, Skate and Travel with SF's Lexi B.....
Lexi B. works for an Adventure/Travel company in San Francisco that I do some work for, and after a few beautiful coffees in the early morning, we shot her doing some yoga up on a hill overlooking the city.
She is quite the traveler and has studied yoga in India, kicked around South America, braved the roads of Baja, and can also play the hell out of an Oboe.
Here is a short Q & A with Lexi....
Where are you from originally and how did you make it to SF?
-I'm originally a 'Michigander'. I grew up in a small town of only 2000 people in the wilderness of Northern Michigan. I knew I needed to see the world outside my town as soon as possible, and I moved out to LA while working with a performing arts group called ' The Young Americans'. I spent my early youth in LA and San Diego soaking up California and all the implied culture! I explored acting, music and learned a lot about myself in those years... A few people told me I would fit in great in San Francisco, so I came up here to finish a Journalism degree and make it my home base for a while...
How does San Francisco fit into your lifestyle?
I fell in love the 'community' feel and all the creative influences in SF. The balance of nature and urban pursuits are like no other place I've known! I love that I can escape to the mountains, beach, snow in a heartbeat and I can meet so many like minded people with such varied interests.
The liberal, compassionate vibe in SF is so refreshing an never ceases to inspire me. I feel very fortunate to be living here...
How did you get into Yoga?
At first Yoga was just another form of exercise for me, along with running, biking and swimming. I have also dabbled in Karate and Tai Chi, with a great emphasis on general movement as part of my lifestyle.
I soon learned more about Yoga, and how it represents much more than just exercise; it made me more aware of my body, my mind and really changed how I viewed the world. I traveled to India and took courses to be an instructor and hopefully teach in a meaningful way one day. I am still practicing and think I want to gain some more experience in general before I begin teaching Yoga..
How long have you been skating longboards and what has been your gnarliest crash?
Yeeaaahhhh, I've ridden skateboards since I was a kid in Michigan, where the roads are flat! Last year a friend gave me a skateboard and learning to ride hills has been a whole new world for me, and I love it!
I am still a bit sketched out sometimes and not totally confident in crazy speed, but I am hooked and love riding hills now.
I've recently paid some dues with a crash near Baker Beach. I was bombing down the long grade at a good clip, and near the end, I felt some wobbly set in and I knew it wasn't going to be pretty! The board shot out from under me and I tried to land on my feet and run it off, but I was going way to fast, and I ate it on the pavement hard. I jammed three fingers on my right on my hand and had a lot of scrapes!
What are some of your recent travels and where are you hoping to get to next?
I love traveling and have done a lot since college. I've trekked through Peru, road tripped through Mexico, meditated in India, explored Alaska via British Columbia and can't get enough of different cultures and people from around the world. I love the beauty of India and hope to get there again soon, and to stop off in Africa too is in the plan.
I figure I have this whole planet, its' people, animals, art and history at my fingertips so I better go see it, learn about it and live it.
I think this may very well be one of the huge goals in my life!
Tuesday, April 24, 2012
Wednesday, April 18, 2012
My rep Wonderful Machine wrote about my recent shoot with Land Rover today on their Blog.... Its a good Q&A with myself and Zack Arias who shot the North Carolina segment...
Tumbling for Land Rover
Wednesday April 18th, 2012
Here at Wonderful Machine, we frequently receive requests from creatives looking for photographers, usually in specific locations or with certain specialties. However, a request came in recently that somewhat surprised us. A production director at the digital strategy firm Undercurrent was looking for photographers in several locations. But that wasn’t the surprising part. They not only wanted the photographers to be skilled shooters, but they also specifically wanted them to have a social media presence. This was a first for us, but not totally unexpected. With the rise of the importance of social media sites like Twitter, Facebook, Pinterest, etc, it’s no surprise that brands are starting to take notice—and play with ways to promote themselves.
This particular Undercurrent project was for their client Land Rover. They were planning on shooting five different Land Rovers, each in a different city. 50 photographs from each photographer would be licensed and released on a unique new Tumblr, The Official Tumblr of Land Rover USA. Undercurrent described the assignment as more of a blog or photo essay project than a traditional commercial shoot. After gathering the details, we put together a list of our top recommendations and sent it over to Undercurrent.
Soon enough, we found out that two of our members had been selected for the gig: Jayms Ramirez, adventure and travel shooter out of San Francisco, who also hosted two Travel Channel shows, and Atlanta-based Zack Arias, who has an impressive online social network that includes over 40,000 twitter followers. Jayms and Zack joined three others for the project—well known actor, director and photographer Adam Goldberg, New York fashion shooter Frances Tulk-Hart and Arizona photographer, Chris McPherson. All impressive in their own right.
Below, Zack and Jayms have answered my questions on this exciting and progressive assignment:
Jayms Ramirez: I got a call from the guys at Undercurrent. They liked my work and thought I would be a good fit for The San Francisco shoot. They wanted an organic feeling series unlike standard slick car photo shoots, that presented mix of city and mountains with an adventurous feel. The details were vague our first couple of conversations, which I loved, as I had the freedom to construct the premise from scratch. I created an itinerary and ideas for stops to incorporate an on the road feel with friends in the new Range Rover Evoque. I also wanted focus on the moments in between, vs just getting to a destination. The guys were on board, so we let it fly through the mountains out of SF.
Jayms Ramirez
Zack: Undercurrent asked if I would be interested in a group project of sorts. They wanted different photographic styles for each shoot. I was told I’d be given access to a range of Rovers and could do just about whatever I wanted to with them.
Zack: Not at all. I’m very much a portrait photographer, and that’s 90% of my work. The cars and the absolute freedom to do whatever I wanted [made this shoot different]. The client really had a great attitude of trusting all five photographers to do what we do.
Jayms: The biggest difference that I loved was the freedom to shoot what I wanted and express my feeling of a road trip Land Rover. Undercurrent basically gave me carte blanche to orchestrate the day, and It was so refreshing as opposed to have a few producers or art directors trying to style every shot. It was a blast.
Jayms: The whole idea was interesting and I see much more of these style campaigns coming in the future, as it’s a new model of marketing and very effective. I shot the images with the social media dynamic in mind, and tried to visualize how they would transfer to the blog and screens of iPads, phones and desktops. My social media presence is ever growing and I put effort into letting people know what new work I am doing via these channels. It’s surely not as large nor influential as Zack Arias, but trying to move in that direction!
Zack: I suppose it’s the new print for now. I know there’s a lot of discussions that could be had around that… Maybe it’s the new “banner ad.” I don’t know, but I for one spend far more time searching social media outlets about products and services I’m interested in then I do at the official company web site. The more connected a brand is to the areas where I hang out, the more connected I feel with them. For example, someone I’m following on twitter posted about new luggage they bought from Eagle Creek. They hash-tagged #eaglecreek and I clicked on that. My luggage was falling apart and I thought it might be a good time to get some new bags. I ended up reading Amazon reviews and watched youtube videos and bought their bags from ebags.com. Not only that, but I love my Eagle Creek bags and have tweeted about them now myself. All that, and I never once visited Eagle Creek’s official web site. That’s crazy in terms of traditional marketing strategies.
Zack Arias
Zack: I went to the job straight from shooting promotional images for Fuji Film in India with their new X-Pro1 camera. It’s a very small but very capable rangefinder-esque camera. It’s much smaller than standard DSLR cameras and lens combination and I ended up shooting a lot of the Land Rover job with that camera. I also had a full 35mm kit and a PhaseOne medium format kit. I would shoot some with the PhaseOne and everything else with the X-Pro1. We did a good bit of off-road work in conjunction with the Land Rover Experience crew at Biltmore and I would end up walking the courses as the cars came through. Having the Fuji, I wasn’t weighed down with gear, which allowed me to move easily and effortlessly through the brush and thicket. The camera worked flawlessly on this job.
Jayms: I used a Nikon D3, 14mm, 50mm, 24mm and 80-200 lenses, a Hero II camera for stills/video, a Fuji x100 and an iPhone 4s. My main stay was the D3, as I wanted to get a lot of the action flowing with the talent in and out of the vehicle, but also for some of the dark areas in the forest in which the D3 handles very well. I mounted the Hero cam on various points of the outside to get some moving shots and video while were on the windy roads. I’m an iPhone photo fiend, so I always shoot with it for behind the scenes if nothing else, but at every break we had, I was snapping iPhone shots and video.
Jayms Ramirez
Zack: I wasn’t expected to but I know they did look at the social media presence of the photographers who were up for this job. I don’t look at social media as a promotion tool per se; I just like to talk about stuff that interests me and stuff I’m working on. Land Rovers are awesome vehicles and it was something I was working on, so the client encouraged me to chat about it and show images while I was doing the job. I could shoot a photo and tweet it the same day. That was a cool part of the job. One night we all went out to dinner and I showed the client an image I posted on Instagr.am. It had received over 600 likes and they were really excited about that. If you think about it, it makes sense. This job was for social media outlets so why not bring part of that into the production of the job as well?
Zack: I wasn’t quite sure how to approach this job, so I decided I would just treat the cars as people and wherever I’d shoot a portrait of a person, I’d just stick a Land Rover there instead. There were a few times I would find a location that screamed “car commercial shot” and I avoided those for the reason they weren’t looking for that in the first place. That kind of nixed all the S-curve shots.
Zack Arias
Jayms: From day one, we’d discussed having a pretty low production value in terms of gear, lighting etc.. We wanted to keep it fast and loose along with an organic unraveling of the day. I wanted to shoot in my lifestyle mode, with a look that parallels my work and with an emphasis on really capturing those little details and moments, that might be otherwise lost in the start/stop style that is necessary on some shoots. I enjoy mixing a photojournalistic style into a commercial shoot, which really lends to a genuine, authentic product. I think its clear that this type of model is going to change the marketing strategies for a lot of companies, who are trying to tap into the genuine social sharing of experiences.
Jayms: We shot a lot, but I’d have to say my favorite part of the series was a few in the mountains, with a couple of women playing guitar, sitting on rustic fences with beautiful glowy sunlight, and edges of the Land Rover in frame. The feeling of adventure, fun, friends and Land Rover was all illustrated for me in those images…
Jayms Ramirez
Zack: I think my favorite is one of a 1966 Series IIa that was part of the heritage fleet in Asheville. I spotted a beautiful hill when I arrived the first day and started working on getting access to that spot right away. Biltmore Estates is a working farm, so a number of people had to give clearance to some of the locations we used. Things like making sure there weren’t any cows in that field on that morning were important details to cover. We ultimately got access to get one of the cars on the hill and I chose what I felt as the most classic Land Rover to put there. I called the ’66 “Old General” and thought it would make for a nice image.
Zack Arias
Jayms: I had a blast on this one, and Land Rover has always been up there on my dream client list… I’d say one thing learned, or was reminded of, is I will always use a producer when possible! I love creating the whole shoot, and I figured I would produce all the details, permits, insurance, locations, etc myself… but at the end of the day it twas a lot of work! I’ll leave that to a pro producer any day of the week!
Jayms Ramirez
Zack: “Internet Campaigns” are real jobs with real clients with real budgets and can be booked via social media. The first hint I had of this job was Wonderful Machine tweeting they were looking for photographers with a social media reach. I tweeted back and y’all said my name was already in the hat. So… thanks for that! …and I’d like to add that I have a greater appreciation for car photographers.
Check out all the photos on tumblr.landroverusa.com.
- Maria Luci
Subscribe to:
Posts (Atom)
Posts
